Showing progress. Defining self-tracking as an aesthetic audio-visual genre
Author:
Affiliation:
1. Department of Communication and Arts , Roskilde University
2. Center for Gender, Sexuality and Difference, Department for Scandinavian Studies and Linguistics , University of Copenhagen
Abstract
Publisher
Walter de Gruyter GmbH
Link
https://www.sciendo.com/pdf/10.2478/tjcp-2022-0004
Reference61 articles.
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3. Clarke, A. E., Mamo, L., Fishman, J., Shim, J. & Fosket, J. B. (2010). A theoretical and substantive introduction. In Clarke, A. E., Mamo, L., Fosket, J. R. & Shim, J. K. (Eds.), Biomedicalization. Technoscience, health, and illness in the U.S. (pp. 1-44). Durham & London: Duke University Press.10.2307/j.ctv125jk5c.5
4. Crawford, K., Lingel, J. & Karppi, T. (2015). Our metrics, ourselves: A hundred years of self-tracking from the weight scale to the wrist wearable device. European Journal of Cultural Studies, 18(4-5), 479-496. https://doi.org/10.1177/1367549415584857.
5. Derrida, J. (1980). The Law of Genre (Ronell, A., Trans.). Critical Inquiry, 7(1), 55–81.10.1086/448088
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