Sound Drawing and Dhol Notation: A Methodological Approach to Visualising Drum Sounds

Author:

Singh Romana Amrinder1

Affiliation:

1. The Leeds School of Arts, Leeds Beckett University, Leeds, England, United Kingdom

Abstract

The research introduces ‘Sound Drawing’ as an engaging instructional activity to develop a visual dhol notation system. In contrast to the conventional reliance on spoken language for dhol instruction, this research involves developing a visual notation system that effectively bridges the auditory intricacies of the dhol drum with corresponding visual representations. Through a methodical examination of sound drawings collaboratively generated by participants, this study critically assesses the effectiveness of sound drawing as an active and inclusive pedagogical instrument within the domain of dhol learning. The outcomes demonstrate how participants’ visual interpretations of dhol sounds led to creating a notation system. This system reflects a diverse range of auditory perceptions and offers a new avenue for cultural engagement and learning in music education. By introducing sound drawing as an immersive instructional activity, this research aspires to advance dhol pedagogy, rendering it more accessible to diverse cultures and communities, thus transcending linguistic barriers. This study pioneers the incorporation of sound drawing as an innovative pedagogical activity for the collective development of a visual dhol notation system, thereby instigating a transformation in pedagogical paradigms and fostering cross-cultural engagement within the rich musical tradition of the dhol.

Publisher

INSAM Institute for Contemporary Art, Music and Technology

Subject

General Medicine

Reference18 articles.

1. Barrett, Margaret S. 2004. “Thinking about the Representation of Music: A Case-Study of Invented Notation.” Bulletin of the Council for Research in Music Education, 19-28.

2. Bhamra, Kuljit. 2019. Read and Play the Dhol Drum MODULE 1: Basic Sounds & Traditional Punjabi Rhythms. Lulu.com.

3. Braun, Victoria, and Victoria Clarke. 2006. “Using thematic analysis in psychology.” Qualitative Research in Psychology 3 (2): 77–101.

4. Cain, Melissa, Shari Lindblom, and Jennifer Walden. 2013. “Initiate, Create, Activate: practical solutions for making culturally diverse music education a reality.” Australian Journal of Music Education 2: 83–85.

5. Campbell, Patricia Shehan. 2016. “World Music Pedagogy: Where Music Meets Culture in Classroom Practice.” In Teaching General Music: Approaches, Issues, and Viewpoints, edited by Carlos R. Abril and Brent M. Gault, 89–111. New York: Oxford Academic.

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