Exploring the Potential of Blockchain Data as Pseudorandom Numbers for Microtonal Algorithmic Composition. A Case Study on Blockchain Music 2.5

Author:

Kicior Krzysztof1

Affiliation:

1. The Fryderyk Chopin University of Music, Department of Composition and Theory of Music, Warsaw, Poland

Abstract

This study explores the utilization of blockchain data as a set of pseudorandom numbers in the context of microtonal algorithmic composition. Conventional methods of generating indiscriminate numbers often lack the desired levels of unpredictability and uniqueness necessary for an intricate musical piece. By harnessing the hash parameter of several blockchains, we propose an innovative approach for obtaining pseudorandom numbers that offer heightened randomness and diversity. Moreover, the ensuing structure ensures the preservation of all composition data on servers, facilitating the re-generation of the piece and enabling listeners to revisit its past fragments. Additionally, leveraging blockchain technology allows the audience to actively interact with the composition, fostering a more engaging and participatory musical experience. Through a comprehensive case study of a self-written, self-generating piece (Blockchain Music 2.5, 2023), we demonstrate the practical implementation of blockchain-generated numbers, showcasing their potential in exploring new post-tonal dimensions and producing unique sonic textures based on the predetermined set of rules. We also discuss the implications, challenges, and potential future directions of incorporating blockchain-generated numbers in algorithmic music composition. The research expands the landscape of digital music composition techniques and offers new avenues for leveraging blockchain technology in the domain of creative expression.

Publisher

INSAM Institute for Contemporary Art, Music and Technology

Subject

General Medicine

Reference8 articles.

1. Buterin, Vitalik. 2014. “Ethereum: A Next-Generation Smart Contract and Decentralized Application Platform”. Accessed September 1, 2023. https://ethereum.org/669c9e2e2027310b6b3cdce6e1c52962/Ethereum_Whitepaper_-_Buterin_2014.pdf.

2. Darreg, Ivor. 1998. “Defining One’s Terms”. Accessed September 1, 2023. http://www.tonalsoft.com/sonic-arts/darreg/dar27.htm.

3. Elia, Alessio. 2017. “Polysystemism: a simultaneous employment of different tuning systems derived from contemporary physics and aural perception of related phenomena” in Just in Tone and Time – Assoziationen an Manfred Stahnke – eine Festschrift, edited by Benjamin Helmer and Georg Hajdu, 185-241. Neumünster: von Bockel Verlag,

4. Ingarden, Roman. 1986. The work of music and the problem of its identity. Translated by

5. Adam Czerniawski. London: The Macmillan Press Ltd.

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