ПАПСКИ ПОРТРЕТИ У РИМУ ОД КРАЈА 6. ДО ПОЧЕТКА 9. ВЕКА: КА РАЗУМЕВАЊУ РАЗВОЈА ВИЗУЕЛНОГ ИДЕНТИТЕТА ПАПА У РАНОМ СРЕДЊЕМ ВЕКУ-Reference-Cited by-同舟云学术

ПАПСКИ ПОРТРЕТИ У РИМУ ОД КРАЈА 6. ДО ПОЧЕТКА 9. ВЕКА: КА РАЗУМЕВАЊУ РАЗВОЈА ВИЗУЕЛНОГ ИДЕНТИТЕТА ПАПА У РАНОМ СРЕДЊЕМ ВЕКУ

Published:2023-12-30 Issue:72/2023 Volume: Page:11-42
ISSN:0350-0802
Container-title:Историјски часопис
language:sr
Short-container-title:ИЧ

Author:

Тутић Oгњен

Abstract

The paper examines the papal portraits created in Rome, from the time of Pope Gregory I the Great (590–604) until the pontificate of Leo III (795–816). As this period was marked by the systematic construction of the authority of Rome as the central topos of the entire Christian ecumene, the city church and the papal city, in which, as in the entire West, the power of popes was inviolable, the preserved papal portraits help understand the construction of identity and authority of the head of the Roman Church, and thus of their visual identity and (self)representation, as a consequence of turbulent socio-political and cultural-historical changes. Therefore, a particular focus will be placed on different typologies of papal portraits –ktetor, representative, commemorative, etc., with the aim of drawing conclusions about the genesis of the imago papae, and the development and changes in the iconography of the papal portrait in the art and visual culture of early medieval Rome

Publisher

Institute of History (Serbia)

Subject

Archeology,Religious studies,Arts and Humanities (miscellaneous),History,Archeology

Reference45 articles.

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