Affiliation:
1. Johannes Gutenberg-Universität Mainz
Abstract
Abstract
Martin Amis’s London Trilogy constitutes a body of work that has variously been categorised as comic, satirical,
or simply postmodern. Given these assessments, the present essay concentrates on forms and functions of dialogue in these novels
to identify its use as a generic marker. What emerges is that – while individual passages of dialogue are demonstratively
structured along conventional generic lines – their function is to temporarily mislead the reader into trusting those ostensibly
univocal signals, and thus contributing to their undermining by the remainder of the text. Fusing divergent generic aspects
together into a form that is here termed anti-comedy, and consistently establishing and undermining readers’ expectations is one
of the central functions of dialogue in Amis’s London Trilogy, the essay claims.
Publisher
John Benjamins Publishing Company
Subject
Literature and Literary Theory,Linguistics and Language,Language and Linguistics,Cultural Studies