Myth of identity

Abstract

Abstract This study delves into the stylization of a unique and dynamic Hong Kong identity through examining a series of Cantonese standup comedies performed by the Hong Kong comedian, Wong Tze-wah, from 1993 to 2003. It explains the ways that Wong’s standup comedies become the stylistic and semiotic resources which not merely iconically and symbolically represent the reality of Hong Kong society; rather, they index many modalities of Hong Kongers’ questioning of authenticity and the relationship between China and Hong Kong. It suggests that the comic performance, as a meaning-making process, helps to shape and reproduce the local ideologies of identity, and to challenge the power underlying the discourse of China-Hong Kong relations.