The darkening of copper- or lead-based pigments explained by a structural modification of natural orpiment: a spectroscopic and electrochemical study-Reference-Cited by-同舟云学术

The darkening of copper- or lead-based pigments explained by a structural modification of natural orpiment: a spectroscopic and electrochemical study

Published:2017 Issue:7 Volume:32 Page:1331-1341
ISSN:0267-9477
Container-title:Journal of Analytical Atomic Spectrometry
language:en
Short-container-title:J. Anal. At. Spectrom.

Author:

Vermeulen Marc¹²³⁴⁵^ORCID,Sanyova Jana¹²³⁴,Janssens Koen⁵⁶⁷⁴,Nuyts Gert⁵⁶⁷⁴,De Meyer Steven⁵⁶⁷⁴,De Wael Karolien⁵⁶⁷⁴

Affiliation:

1. Polychrome Artefact Laboratory

2. Royal Institute for Cultural Heritage

3. B-1000 Brussels

4. Belgium

5. AXES Research Group

6. University of Antwerp

7. B-2020 Antwerp

Abstract

A combined spectroscopic and electrochemical study is used to understand the mechanism by which natural orpiment darken copper- or lead-based pigments.

Funder

Federaal Wetenschapsbeleid

Publisher

Royal Society of Chemistry (RSC)

Subject

Spectroscopy,Analytical Chemistry

Link

http://pubs.rsc.org/en/content/articlepdf/2017/JA/C7JA00047B

Reference41 articles.

1. The darkening of zinc yellow: XANES speciation of chromium in artist's paints after light and chemical exposures

2. SR-FTIR imaging of the altered cadmium sulfide yellow paints in Henri Matisse's Le Bonheur de vivre (1905–6) – examination of visually distinct degradation regions

3. Characterization of a Degraded Cadmium Yellow (CdS) Pigment in an Oil Painting by Means of Synchrotron Radiation Based X-ray Techniques

4. Combined use of Synchrotron Radiation Based Micro-X-ray Fluorescence, Micro-X-ray Diffraction, Micro-X-ray Absorption Near-Edge, and Micro-Fourier Transform Infrared Spectroscopies for Revealing an Alternative Degradation Pathway of the Pigment Cadmium Yellow in a Painting by Van Gogh

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