The Changing Nature of Instrumental Music and Musicians in Folk Dance Ensembles

Author:

Kunej DragoORCID

Abstract

The paper presents the role of the instrumental music and musicians in folk dance ensembles in Slovenia, and examines different influences on the shaping of its musical image. It focuses on two milestones that have significantly influenced the work of folk dance ensembles: the beginning of organized educational activities in the early 1970s, and the impact of socio-political changes caused by the breakup of Yugoslavia and Slovenia’s independence in 1991.

Publisher

The Research Center of the Slovenian Academy of Sciences and Arts (ZRC SAZU)

Subject

Music,Anthropology,Cultural Studies

Reference43 articles.

1. Bejtullahu, Alma. 2016. Glasba in ples narodnih manjšin v Sloveniji: Nacionalna identiteta, eksotika, past stroke. Traditiones 45 (2): 159–176. DOI: https://doi.org/10.3986/Traditio2016450210.

2. Herzog, Philipp. 2010. ‘National in Form and Socialist in Content’ or Rather ‘Socialist in Form and National in Content’?: The ‘Amateur Art System’ and the Cultivation of ‘Folk Art’ in Soviet Estonia. Narodna Umjetnost 47 (1): 115–140.

3. IFS. 1975. Informator folklornega seminarja 2 (2), 2 April, 7. Ljubljana: Zveza kulturno prosvetnih organizacij Slovenije.

4. IFS. 1976. Informator folklornih skupin 3 (2), 1. April, 13–15. Ljubljana: Zveza kulturno prosvetnih organizacij Slovenije.

5. IFS. 1977. Informator folklornih skupin 4 (2), 1. April, 12. Ljubljana: Zveza kulturno prosvetnih organizacij Slovenije.

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