The Institutionalisation of Participatory Singing since the 1960s in Estonia

Author:

Särg TaiveORCID

Abstract

Previous research into the social structure of participatory singing indicates its decline within modern society (e.g. Blacking 1973, Turino 2008). The present study focuses on processes in amateur singing in Estonia using the “Music in my Life” questionnaire (2022). The results show the dynamics of contemporary participatory singing, which can be characterised as institutionalisation within the context of modern society.

Publisher

The Research Center of the Slovenian Academy of Sciences and Arts (ZRC SAZU)

Subject

Music,Anthropology,Cultural Studies

Reference69 articles.

1. References

2. Baumann, Max Peter. 1996. Folk Music Revival: Concepts Between Regression and Emancipation. The World of Music 38 (3): 71–86.

3. Bithell, Caroline. 2014. A Different Voice, a Different Song: Reclaiming Community through the Natural voice and World Song. Oxford, New York: OUP USA.

4. Blacking, John. 1973. How Musical Is Man? Seattle, London: University of Washington Press.

5. Blum, Stephen. 2023. Music Theory in Ethnomusicology. New York: Oxford University Press.

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