Beauty: Liberation and/or Confinement in The Life and Loves of a She Devil by Fay Weldon

Author:

Şentürk Emine1ORCID

Affiliation:

1. AKDENİZ ÜNİVERSİTESİ, EDEBİYAT FAKÜLTESİ

Abstract

This essay critically examines the transformation of the protagonist, Ruth Patchett, in Fay Weldon’s novel The Life and Loves of a She Devil (1983). The transformation that Ruth undergoes can be viewed in two ways: both in terms of her role in society and her physical appearance. Initially a submissive housewife, Ruth evolves into an independent businesswoman who undergoes extensive cosmetic procedures to conform to prevailing beauty standards. This article reveals, through an analysis of Ruth’s liberation from traditional domestic obligations and her response to societal constructs of beauty, the marginalization she experiences as a result of her deviation from societal norms. Ruth’s rebellion against the idealized attributes of a housewife reflects her pursuit of qualities associated with appealing femininity. Hence, this article highlights how Ruth transforms herself into a seductive object of the male gaze to remake herself into a powerful subject. Through this transformative journey, the article elucidates the interplay between societal ideals of beauty, female liberation, and implications on personal fulfilment. Although Ruth’s transformation into the ‘ideal’ woman endorses the patriarchal codes of ideal and standardised beauty, this essay argues that the same transformation reverses the process to reveal how female empowerment can be achieved through the manipulation of standards.

Publisher

Fe Journal

Reference25 articles.

1. Bordo, Susan. “The Body and the Reproduction of Femininity,” Unbearable Weight: Feminism, Western Culture, and Body (Tenth Anniversary Edition) (Berkeley: University of California Press, 2003), 165-184.

2. Callaghan, Karen A. “Introduction,” Ideals of Feminine Beauty: Philosophical, Social, and Cultural Dimensions ed. Karen A. Callaghan (London: Greenwood, 1994), vii – xv.

3. Davis, Kathy. Dubious Equalities and Embodied Differences: Cultural Studies on Cosmetic Surgery (Lanham: Rowman and Littlefield, 2003).

4. Davis, Kathy (ed.). Embodied Practices: Feminist Perspectives on the Body (London: Sage, 1997).

5. Davis, Kathy. “‘My body is My Art’: Cosmetic Surgery as Feminist Utopia?,” Feminist Theory and Body: A Reader eds. Janet Price and Margrit Shildrick (New York: Routledge, 1999), 454-465.

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