1. M. Davidson , Concerto for the Left Hand: Disability and the Defamiliar Body (Ann Arbor: The University of Michigan Press, 2011), contains a chapter entitled “Hearing Things: The Scandal of Speech in Deaf Performance” which provides another perspective on radical deaf performance. M. Friedner and S. Helmreich , The Senses and Society 7.1 (2012): 72–86, provides an excellent overview of the intersection between deaf studies and sound studies in the essay, “Sound Studies Meets Deaf Studies.” S. Kim-Cohen , In the Blink of an Ear: Toward a Non-Cochlear Sonic Art (London and New York: Bloomsbury, 2009) contains reassessment of sound art from World War II to the present. C. Padden and T. Humphries , Deaf in America: Voices from a Culture (Cambridge, MA and London, England: Harvard University Press, 1988), a classic text on d/Deaf culture, community, and activism in the United States.