Rembrandt's Late Self-Portraits: Psychological and Medical Aspects

Author:

Marcus Esther-Lee1,Clarfield A. Mark2

Affiliation:

1. Geriatric Department, Sarah Herzog Memorial Hospital, Jerusalem, Israel

2. Geriatric Division, Soroka Hospital, Beersheva, Israel

Abstract

The Dutch painter Rembrandt (1606–1669) left behind the largest series of self-portraits in the history of art. These paintings were produced over a period of time from age 22 years until just a few months before Rembrandt's death at age 63. This series gives us a unique opportunity to explore the development, maturity, and aging of the artist. The changes in Rembrandt's face and expression from one self-portrait to the next may be attributable to any combination of the following factors: normal aging changes, modifications and developments of his artistic style, alterations in the way he viewed himself, and changes in the way Rembrandt wanted us to see him. In addition, the modifications may be attributed in part to some illnesses from which the artist may have suffered and/or to a decline in his eyesight that may have influenced both his ability to detect details and his ability to paint.

Publisher

SAGE Publications

Subject

Geriatrics and Gerontology,Developmental and Educational Psychology,Aging

Reference71 articles.

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1. Rembrandt’s Self-Portraits;Palgrave Studies in Creativity and Culture;2024

2. Beyond Venus and Mars: Examining gender-related differences in facial aging through the analysis of artworks;Ethics, Medicine and Public Health;2023-12

3. “I as Photographer”: A Visual Narrative Analysis of Vivian Maier’s Self-Portraits;Psychobiographical Illustrations on Meaning and Identity in Sociocultural Contexts;2021

4. Painting and the eye;Developments in Health Sciences;2018-06

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