Does Art have Selective Value?

Author:

Dissanayake Ellen1

Affiliation:

1. The Graduate Faculty, New School for Social Research New York

Abstract

In the absence of satisfactory accounts by evolutionary biologists to explain the ubiquity and persistence of art in all human societies, a number of reasons offered by other writers for the existence and effects of art are critically examined for their evolutionary plausibility. These are found to be inadequate because they are only partial and because their “selective value” is more parsimoniously attributed to other behaviors and attributes which art resembles (e.g., play, ritual, fantasy, ordering, and so forth). The necessity for invoking a concept “art” at all is questioned. Instead it is posited that a universal human behavior, “making special,” from which art in the modern sense is derived had evolutionary value because it reinforced the adoption of other selectively-valuable behaviors. Aesthetic ingredients and responses can be called enabling mechanisms to this end. A concluding section discusses peculiarities of advanced technological society that contribute to modern confusion about art and its place — necessary or unnecessary — in human life.

Publisher

SAGE Publications

Subject

Literature and Literary Theory,Music,Visual Arts and Performing Arts

Reference56 articles.

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1. Conclusions;Mass-Produced Original Paintings, the Psychology of Art, and an Everyday Aesthetics;2020

2. Literature;Cultural Selection;1999

3. Aesthetics: A Comparison of the State of the Art Outside and Inside the Field of Textiles and Clothing Part Two: Object;Clothing and Textiles Research Journal;1996-03

4. Aesthetics: A Comparison of the State of the Art Outside and Inside the Field of Textiles and Clothing Part One: Creator and Creative Process;Clothing and Textiles Research Journal;1996-01

5. Chimera, spandrel, or adaptation;Human Nature;1995-06

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