1. Arlot, M. (1871). Complete guide for coach painters. Henry Carey Baird. https://archive.org/details/ completeguidefor00arlo/ page/ n6/mode/ 1up ? view=theater&q=colour
2. Brocchieri, J., Scialla, E., Manzone, A., Graziano, G. O., D’onofrio, A., & Sabbarese, C. (2022). An analytical characterization of different gilding techniques on artworks from the Royal Palace (Caserta, Italy). Journal of Cultural Heritage, 57, 213–225. http://dx.doi.org/10.1016/j.culher. 2022.08.014
3. Burgess, J. W. (1881). A practical treatise on coachbuilding: historical and descriptive. Crosby Lockwood and Co. https://archive.org/details/ practicaltreatis00burg / page / n4 / mode / 1up ? view=theater
4. Eveno, M., Ravaud, E., Calligaro, T., Pichon, L., & Laval, E. (2014). The Louvre Crucifix by Giotto – Unveiling the original decoration by 2D-XRF, Xray radiography, Emissiography, and SEM-EDX analysi. Heritage Science, 2(1), 1–9. https://doi. org/10.1186/s40494-014-0017-y
5. Gamma, H. S. F. (2020). Desenvolvimento de um sistema portátil de macro XRF que utiliza aprendizado de máquina para reconhecimento de padrões de cores em pigmentos usados na área de Arqueometria. [Thesis PhD, Universidade do Estado do Rio de Janeiro]. Biblioteca Digital de Teses e Dissertações.