Abstract
Between October 1670, when Martin Lister arrived in York, and September 1683, when he removed to London, he was at the centre of an informal group of virtuosi - naturalists, artists and antiquaries - who either lived in the provincial capital or visited regularly.
1
Part of the medical establishment at York, and keenly interested in physiological phenomena, Lister was to become nationally renowned as a scientist and naturalist.
2
The
Philosophical Transactions
carried 28 non- illustrated scientific communications from Lister between 1669 and 1673. Over the following 10 years his published papers and books were increasingly illustrated. A study of the association between Martin Lister and the amateur artists William Lodge and Francis Place provides the opportunity to consider: the relationship between the scientist and his illustrators; the visual conventions being developed in scientific publishing; and the value the scientific community placed on the visual representation of their observations, scientific collections and published communications. How far does a study of the association of Lister and his illustrators illumine general issues pertinent to the history of science? What value have later scholars placed on the work of Lister’s illustrators?
Subject
History and Philosophy of Science
Cited by
10 articles.
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