Rethinking the frequency code: a meta-analytic review of the role of acoustic body size in communicative phenomena

Author:

Winter Bodo1ORCID,Oh Grace Eunhae2,Hübscher Iris3,Idemaru Kaori4,Brown Lucien5,Prieto Pilar67,Grawunder Sven89

Affiliation:

1. Department of English Language and Linguistics, University of Birmingham, Birmingham, UK

2. Department of English Language and Literature, Konkuk University, Seoul, Korea

3. URPP Language and Space, University of Zurich, Zurich, Switzerland

4. Department of East Asian Languages and Literatures, University of Oregon, Eugene, OR, USA

5. School of Languages, Literatures, Cultures and Linguistics, Monash University, Melbourne, Australia

6. ICREA, Institució Catalana de Recerca i Estudis Avançats, Barcelona, Spain

7. Departament de Traducció i Ciències del Llenguatge, Universitat Pompeu Fabra, Barcelona, Spain

8. Department of Empirical Linguistics, University of Frankfurt, Frankfurt, Germany

9. Department of Human Behavior, Ecology and Culture, Max Planck Institute for Evolutionary Anthropology, Leipzig, Germany

Abstract

The widely cited frequency code hypothesis attempts to explain a diverse range of communicative phenomena through the acoustic projection of body size. The set of phenomena includes size sound symbolism (using /i/ to signal smallness in words such as teeny ), intonational phonology (using rising contours to signal questions) and the indexing of social relations via vocal modulation, such as lowering one's voice pitch to signal dominance. Among other things, the frequency code is commonly interpreted to suggest that polite speech should be universally signalled via high pitch owing to the association of high pitch with small size and submissiveness. We present a cross-cultural meta-analysis of polite speech of 101 speakers from seven different languages. While we find evidence for cross-cultural variation, voice pitch is on average lower when speakers speak politely, contrary to what the frequency code predicts. We interpret our findings in the light of the fact that pitch has a multiplicity of possible communicative meanings. Cultural and contextual variation determines which specific meanings become manifest in a specific interactional context. We use the evidence from our meta-analysis to propose an updated view of the frequency code hypothesis that is based on the existence of many-to-many mappings between speech acoustics and communicative interpretations. This article is part of the theme issue ‘Voice modulation: from origin and mechanism to social impact (Part I)’.

Funder

UK Research and Innovation

Publisher

The Royal Society

Subject

General Agricultural and Biological Sciences,General Biochemistry, Genetics and Molecular Biology

Reference156 articles.

1. Büring D. 2007 Semantics, intonation and information structure. In The Oxford handbook of linguistic interfaces, pp. 445-474. Oxford, UK: Oxford University Press.

2. Pierrehumbert J, Hirschberg JB. 1990 The meaning of intonational contours in the interpretation of discourse. In Intentions in communication (eds PR Cohen, J Morgan, M Pollack), pp. 271-311. Cambridge, MA: MIT Press.

3. Intonation

4. Pierrehumbert J. 1980 The phonology and phonetics of English intonation. PhD thesis Massachusetts Institute of Technology Cambridge MA USA.

5. Cheng C-C. 2011 A synchronic phonology of Mandarin Chinese. Berlin, Germany: Walter de Gruyter.

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