Being alive to the world: an artist's perspective on predictive processing

Author:

Pepperell Robert1ORCID

Affiliation:

1. Cardiff Metropolitan University, Cardiff CF5 2YB, UK

Abstract

I consider predictive processing (PP) from the perspective of an artist who also conducts scientific research into art and perception. This paper presents artworks I have made and statements from other artists that exemplify some of PP's core principles. But it also raises questions about the extent to which current applications of PP theory provide a comprehensive account of art experience. Prediction error minimization, a key mechanism of PP, has been proposed as a cause of positive aesthetic affect because artworks offer opportunities for reward through disambiguation and learning. However, there are many cases where prediction errors proliferate in art experiences in a way that enhances aesthetic affect. Here I suggest the inability of our perceptual systems to minimize prediction errors when beholding certain artworks can evoke heightened states of fascination and exhilaration. Moreover, powerful artworks provide opportunities for maximizing prediction errors, within certain bounds, by evoking states of paradox, contradiction and illogicality. I conclude that beholding such artworks can intensify our sense of being by making us more alive to the world. This article is part of the theme issue ‘Art, aesthetics and predictive processing: theoretical and empirical perspectives’.

Publisher

The Royal Society

Subject

General Agricultural and Biological Sciences,General Biochemistry, Genetics and Molecular Biology

Cited by 4 articles. 订阅此论文施引文献 订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献

1. Predictive Processing within Music Form: Analysis of Uncertainty and Surprise in Different Sections of Sonata Form;Music & Science;2024-01

2. Aesthetics and predictive processing: grounds and prospects of a fruitful encounter;Philosophical Transactions of the Royal Society B: Biological Sciences;2023-12-18

3. Order and change in art: towards an active inference account of aesthetic experience;Philosophical Transactions of the Royal Society B: Biological Sciences;2023-12-18

4. Predicting instabilities: an embodied perspective on unstable experiences with art and design;Philosophical Transactions of the Royal Society B: Biological Sciences;2023-12-18

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