Sounds familiar(?): Expertise with specific musical genres modulates timing perception and micro-level synchronization to auditory stimuli

Author:

Danielsen Anne,Nymoen Kristian,Langerød Martin Torvik,Jacobsen Eirik,Johansson Mats,London Justin

Abstract

AbstractMusical expertise improves the precision of timing perception and performance – but is this expertise generic, or is it tied to the specific style(s) and genre(s) of one’s musical training? We asked expert musicians from three musical genres (folk, jazz, and EDM/hip-hop) to align click tracks and tap in synchrony with genre-specific and genre-neutral sound stimuli to determine the perceptual center (“P-center”) and variability (“beat bin”) for each group of experts. We had three stimulus categories – Organic, Electronic, and Neutral sounds – each of which had a 2 × 2 design of the acoustic factors Attack (fast/slow) and Duration (short/long). We found significant effects of Genre expertise, and a significant interaction for both P-center and P-center variability: folk and jazz musicians synchronize to sounds typical of folk and jazz in a different manner than the EDM/hip-hop producers. The results show that expertise in a specific musical genre affects our low-level perceptions of sounds as well as their affordance(s) for joint action/synchronization. The study provides new insights into the effects of active long-term musical enculturation and skill acquisition on basic sensorimotor synchronization and timing perception, shedding light on the important question of how nature and nurture intersect in the development of our perceptual systems.

Funder

Norges Forskningsråd

University of Oslo

Publisher

Springer Science and Business Media LLC

Subject

Linguistics and Language,Sensory Systems,Language and Linguistics,Experimental and Cognitive Psychology

Reference82 articles.

1. Bengtsson, I. (1974). On notation of time, signature and rhythm in Swedish polskas. In G. Hilleström (Ed.), Studia Instrumentorum Musicae Popularis III (pp. 22–31). Musikhistoriska museet/Nordiska Musikförlaget.

2. Bjerke, K. (2010). Timbral relationships and microrhythmic tension: Shaping the groove experience through sound. In A. Danielsen (Ed.), Musical Rhythm in the Age of Digital Reproduction, (pp. 85–101). Ashgate/Routledge. https://doi.org/10.4324/9781315596983-6

3. Blom, J. P. (1981). The dancing fiddle: On the expression of rhythm in Hardingfele slåtter. In J. P. Blom, S. Nyhus & R. Sevåg (Eds.), Norwegian Folk Music: Slåttar for the Harding Fiddle, Vol. 7, (pp. 305–312). Universitetsforlaget.

4. Brøvig-Hanssen, R., Sandvik, B., Aareskjold-Drecker, J. M., & Danielsen, A. (2022). A grid in flux: Sound and timing in Electronic Dance Music. Music Theory Spectrum 44(1)

5. Butler, M. J. (2006). Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music. Indiana University Press.

Cited by 12 articles. 订阅此论文施引文献 订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献

同舟云学术

1.学者识别学者识别

2.学术分析学术分析

3.人才评估人才评估

"同舟云学术"是以全球学者为主线,采集、加工和组织学术论文而形成的新型学术文献查询和分析系统,可以对全球学者进行文献检索和人才价值评估。用户可以通过关注某些学科领域的顶尖人物而持续追踪该领域的学科进展和研究前沿。经过近期的数据扩容,当前同舟云学术共收录了国内外主流学术期刊6万余种,收集的期刊论文及会议论文总量共计约1.5亿篇,并以每天添加12000余篇中外论文的速度递增。我们也可以为用户提供个性化、定制化的学者数据。欢迎来电咨询!咨询电话:010-8811{复制后删除}0370

www.globalauthorid.com

TOP

Copyright © 2019-2024 北京同舟云网络信息技术有限公司
京公网安备11010802033243号  京ICP备18003416号-3