The tritone paradox: Effects of spectral variables
Author:
Publisher
Springer Science and Business Media LLC
Subject
Sensory Systems,General Psychology,Experimental and Cognitive Psychology
Link
http://link.springer.com/content/pdf/10.3758/BF03210490.pdf
Reference38 articles.
1. Babbitt, M. (1960) Twelve-tone invarlants as compositional determinants.Muscial Quarterly,46, 246–259.
2. Babbitt, M. (1965) The structure and function of music theory.College Music Symposium,5, 10–21
3. Bachem, A. (1948) Note on Neu’s review of the literature on absolute pitchPsychological Bulletin,45, 161–162
4. Bachem, A (1954) Time factors in relative and absolute pitch determination.Journal of the Acoustical Society of America,26, 751–753
5. Baird, J W (1917) Memory for absolute pitch Studies in psychology InIn Titchener Commemorative Volume Worcester.
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