Author:
Cuddy Lola L.,Badertscher Betsy
Publisher
Springer Science and Business Media LLC
Subject
Sensory Systems,General Psychology,Experimental and Cognitive Psychology
Reference41 articles.
1. Balzano, G. J. (1982). The pitch set as a level of description for studying musical pitch perception. In M. Clynes (Ed.),Music, mind and brain: The neuropsychology of music. New York: Plenum Press.
2. Balzano, G. J. (1986) What are musical pitch and timbre?Music Perception,3, 297–314.
3. Bartlett, J. C., &Dowling, W. J. (1980). The recognition of transposed melodies: A key-distance effect in developmental perspective.Journal of Experimental Psychology: Human Perception & Performance,6, 501–515.
4. Bharucha, J. J. (1984). Anchoring effects in music--the resolution of dissonance.Cognitive Psychology,16, 485–519.
5. Brown, H., &,Boxler, D. (1981). Diatonic trichords as minimal tonal cue-cells.In Theory Only,5(6&7), 39–55.
Cited by
106 articles.
订阅此论文施引文献
订阅此论文施引文献，注册后可以免费订阅5篇论文的施引文献，订阅后可以查看论文全部施引文献