Narratives of Triumph and Rituals of Submission: Charlemagne's Mastering of Bavaria

Abstract

Among the more striking literary creations of Herman Melville is a short story entitiled ‘Bartleby’. The eponymous hero is a law-clerk who gradually withdraws from his employer's power, and ultimately from the world, by meeting all requests – to copy texts, to quit the premises, to co-operate with the authorities of the prison to which his intransigence finally leads him – with the phrase, ‘I would prefer not to.’ Melville's existential fable is disquieting on all sorts of levels and it has, perhaps, a special resonance for historians. The story's narrator is Bartleby's employer, a tranquil elderly man baffled by the latter's stubbornness. One of the problems the narrator faces is the shortage of sources: ‘this man … was one of these beings of whom nothing is ascertainable, except trom the original sources and … those are very small’. After Bartleby's death, the narrator learns that he had worked in the Dead Letter Office in Washington, and the story ends with a vision of piles of lost ‘dead’ documents and artefacts whose texts and meanings remain unread and beyond recall. As a text haunted by notions of unknowability and by the crushing weight of dead letters, ‘Bartleby’ seems to speak directly to some of the pre-occupations of historians in a post-modernist era.