Unified Theory of Cosmogram Decorations on Potteries of the Upper Midwest

Abstract

Abstract Early Woodland Liverpool (Black Sand variant) pottery decorations consist of belts, rectilinear panels, and/or punctates encircling the vessel. Vertically arranged thematic motifs reflect the structure of the cosmos in its simplest form: Below realm, Earth’s disk, Above realm. This article postulates that the Early Woodland decorative tradition was an enduring symbolic system shared by women making pottery in the upper Midwest. Cosmograms in pottery motifs trace three universal metaphors of the Woodland era belief system: (1) Cooking vessels were feminine spiritbeings; (2) the Woodland culinary vessel shaped like the female form represented her biological destiny as the reproductive vessel for humankind and cooking was a ritual action (“prayer”), a metaphor for the creation of new members of society; (3) the cooking pot was a mandala of cosmograms expressing daily life, ritual practice, and cosmology. These themes carry through subsequent studies on Middle Woodland Havanoid and Late Woodland corded or trailed pottery in an upcoming book.