So-Called Jaguar-Human Copulation Scenes in Olmec Art

Author:

Davis Whitney

Abstract

Three Olmec sculptures are frequently thought to represent copulation between human beings and jaguars, an important element in what we are able to reconstruct of Olmec belief, but evidence and parallels discussed here suggest that this interpretation of the sculptures is incorrect. Alternate explanations which are consistent with a new view would assign an aggressive, ritual, or allegorical meaning to these sculptures and to certain other related Olmec representations.

Publisher

Cambridge University Press (CUP)

Subject

Museology,Archaeology,Arts and Humanities (miscellaneous),History

Reference34 articles.

1. Joralemon Peter David 1976 The Olmec dragon: a study in pre-Columbian iconography. In Origins of religious art and iconographyin Preclassic Mesoamerica, edited by Nicholson H.B. , pp. 27–71. UCLA Latin American Centerand the Ethnic Arts Council of Los Angeles, Los Angeles. UCLA Latin American Studies 31.

2. New stone monuments from La Venta, 1968;Clewlow;University of California Archaeological ResearchFacility, Contributions,1968

3. The fluted pyramid of the La Venta site;Heizer;Antiquity,1968

Cited by 2 articles. 订阅此论文施引文献 订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献

1. Were-Jaguars and Crocodilians: A Need to Redefine;Papers from the Institute of Archaeology;2014-10-20

2. Congenital Deformities and the Olmec Were-Jaguar Motif;American Antiquity;1981-10

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