Surprising Returns: The VII Sharp in Beethoven's Op. 18 No. 3, and Its Antecedents in Haydn-Reference-Cited by-同舟云学术

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Surprising Returns: The VII Sharp in Beethoven's Op. 18 No. 3, and Its Antecedents in Haydn

Published:1998-10 Issue:3 Volume:17 Page:295
ISSN:0262-5245
Container-title:Music Analysis
language:
Short-container-title:Music Analysis

Author:

Burstein L. Poundie

Publisher

JSTOR

Subject

Music

Cited by 13 articles. 订阅此论文施引文献订阅此论文施引文献，注册后可以免费订阅5篇论文的施引文献，订阅后可以查看论文全部施引文献

1. Chromatically Altered Diminished‐Seventh Chords: Reframing Function through Dissonance Resolution in Late Nineteenth‐Century Tonality;Music Analysis;2022-03

2. A Reevaluation of Haydn’s Keyboard Sonatas of 1773;Art and Design Review;2022

3. Key Profiles in Bruckner’s Symphonic Expositions;Music Theory Online;2018-03

4. Sonata Form and the Problem of Second-Theme Beginnings;Music Analysis;2013-03

5. Recomposition and Retransition in Beethoven's String Quintet, op. 4;Journal of Musicology;2006-01-01

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