Abstract
From his early short stories through his as yet unpublished second novel, Ralph Ellison pursues the theme of the quest for black self-definition by reference to black folklore. “In the folklore,” he says, “we tell what Negro experience really is.” Ellison adapts black folklore to fiction by fitting it into the forms of American and Western myth. As he enlarges the context of black folk tradition, he reduces the importance of its basis in racial oppression and conflict and transforms its social meaning into the metaphysical meanings of the framing myths. Thus black identity becomes indistinguishable from American identity or the human condition, and the effort to define it from within results instead in continued definition by the enslaving society.
Publisher
Modern Language Association (MLA)
Subject
Literature and Literary Theory,Linguistics and Language,Language and Linguistics
Cited by
8 articles.
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