Abstract
In this article, Francine Hirsch examines the Ethnographic Department of the Russian Museum as a venue for virtual tourism, where museumgoers were able to become acquainted with “the Peoples of the USSR” and where Soviet ethnographers and Politprosvet activists attempted to work out an idealized narrative about the socialist transformation of the Soviet Union. Focusing on the period of the “Great Break,” Hirsch investigates the role of “the narrative” in the process of Soviet state formation and the role of mass participation in facilitating Soviet authoritarian rule. Hirsch treats the “ideological front” as a dynamic realm and shows how ethnographers, activists, and museumgoers attempted to reconcile disparities between “the real” and “the ideal” in the Soviet Union. In addition, she evaluates how the Soviet developmentalist narrative evolved after 1931, as ethnographers attempted to formulate a nonbiological, sociohistorical explanation for the persistence of traditional culture among certain population groups in an effort to counter German racial theories.
Publisher
Cambridge University Press (CUP)
Subject
Arts and Humanities (miscellaneous),Cultural Studies
Cited by
35 articles.
订阅此论文施引文献
订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献