Abstract
AbstractThis essay analyzes the skeptical ideas of one of the most notorious works of the French Baroque,Le Moyen de parvenir. Its author, Béroalde de Verville, described his anti-novel as "une Satyre universelle," and one of his noteworthy accomplishments was to provide his troubled age with a relatively complete and innovative skeptical language based on both esoteric and exoteric alchemy. Conceiving of his text as a critical athanor, Béroalde conducts numerous experiments in transmutation that would turn Paracelsus' concepts into a kind ofprima materia. Out of this reversion to the primordial emerges a general critique of ideas and social institutions through such alchemical notions as prime and ultimate matter, quintessence, astrosophy, the arcanum, the Archeus, and the Cagastrum.
Publisher
Cambridge University Press (CUP)
Subject
Literature and Literary Theory,Visual Arts and Performing Arts,History
Reference96 articles.
1. Verville Beroalde de . 1985. Le Moyen de parvenir. Ed. liana Zinguer. Nice.
2. Verville Beroalde de . 1984a. Le Moyen deparvenir. Eds. Helene Moreau and Andre Tournon. Earliest known edition, n.d.
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2 articles.
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