Mosaic Polyphony: Formal Balance, Imbalance, and Phrase Formation in the Prelude of Schoenberg's Suite, Op. 25
Author:
Publisher
Oxford University Press (OUP)
Subject
Music
Link
http://academic.oup.com/mts/article-pdf/14/2/188/4219121/14-2-188.pdf
Reference18 articles.
1. Some Implications of the Pitch Class/Order Number Isomorphism Inherent in the Twelve-Tone System: Part One
2. Some Implications of the Pitch Class/Order Number Isomorphism Inherent in the Twelve-Tone System: Part One
3. Some Implications of the Pitch Class/Order Number Isomorphism Inherent in the Twelve-Tone System: Part One
4. Musical Form and the Development of Schoenberg's "Twelve-Tone Method"
5. Musical Form and the Development of Schoenberg's "Twelve-Tone Method"
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3. Tripartite Structures in Schoenberg’s A Survivor from Warsaw;Music Theory Online;2013-03
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