THE UNRULY BODY AND THE REGULATORY MECHANISMS IN DORIS LESSING’S THE FIFTH CHILD AND BEN, IN THE WORLD

Abstract

Doris Lessing’s The Fifth Child (1988) and Ben, in the World (2000) narrate the tragic story of Ben Lovatt who is identified as the anomalous fifth child in the Lovatt family. Set in London in the 1960s, with its focalisation on Ben’s early childhood, from his mother’s pregnancy to his confinement into his cot after his birth, The Fifth Child navigates through the ideological construction of Ben’s self through power and isolation. Ben, in the World, on the other hand, maintains Ben’s story from his eighteenth year and presents his strife for survival in a social world in which he is forced to be a member of society with his social self and social body. While both works can be regarded as the adventures of Ben, who is isolated and alienated from his family and society, they also draw social environs in which Ben’s body is constructed via the discursive mechanisms of otherness and wildness. Ben’s othered self and body are foregrounded by abnormal corporeal relations and unhuman depictions throughout Lessing’s fiction. In this sense, this study focuses on the trajectories of Ben’s body in these narratives to discuss Ben’s unruly body which is forced to be regulated by the familial, social and institutional mechanisms of power.