Fantasies of Agelessness and Age Hierarchies in Mary Poppins Returns

Author:

Castelli-Rosa MarianaORCID

Abstract

In my chapter, I investigate how aging and the passing of time are depicted in the film Mary Poppins Returns (2018) and how they shape the narrative and give it ageist undertones. As a sequence to the 1964 Mary Poppins original film, the 2018 film hints at the passing of time which is evident in the age of the Banks children who have grown up. However, time has not passed for Mary Poppins as she is portrayed by a young actor (Emily Blunt). I explore how this casting choice affects the film and which ideas it reveals about aging, and especially, women aging in Hollywood. I also focus on Mary Poppins' role in the domestic realm organizing intergenerational relations and its effect on the film plot. Lastly, I connect the casting of Mary Poppins as a young woman to the erasure of older people in film and the childhood nostalgia promoted by Disney, the producer of the film.

Publisher

transcript Verlag

Reference16 articles.

1. “‘Mary Poppins Returns’: Why Julie Andrews Turned down a Cameo,” Nov 30, 2018 (https://variety.com/2018/film/awards/mary-poppins-returns-julie-andrews-1203065856/).

2. “How Julie Andrews's Voice Was Stolen by a Medical Disaster,” March 19, 2015 (https://www.washingtonpost.com/news/morning-mix/wp/2015/03/19/how-julie-andrewss-voice-was-stolen-by-a-medical-disaster/).

3. Dolan, Josephine (2017): Contemporary Cinema and ‘Old Age’: Gender and the Silvering of Stardom, London: Palgrave Macmillan.

4. Eco, Umberto (1979): The Role of the Reader: Explorations in the Semiotics of Texts, Bloomington: Indiana University Press.

5. Gravagne, Pamela H (2013): The Becoming of Age: Cinematic Visions of Mind, Body and Identity in Later Life, Jefferson, North Carolina and London: McFarland & Company, Inc., Publishers.

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