Sensing anthropology: A critical review of the sensorial turn in anthropology

Author:

Omrani Arjang1ORCID

Affiliation:

1. Department of Educational Sciences, University of Ghent, Ghent, BELGIUM

Abstract

This article aims to present the existing epistemological ties between the <i>sensorial turn</i> in anthropology and collaborative forms of production of knowledge in the framework of shared anthropology. From this perspective, the major debates in anthropology regarding the senses and emotions and their epistemological implications will be critically analyzed. The focus firstly lies on questioning those approaches that approach the senses and the body as another traditional subject for anthropological studies. Secondly, on exploring the existing misconceptions in the sensory approach. Thirdly, on claiming that the most valid form of exploring and presenting the state of experience is through integrating collaborative engagement of the subject, optimally through the framework of shared anthropology. Lastly, the potentials and advantages of audio-visual media and art in general as the medium of (re)presentation will be explored.

Publisher

Bastas Publications

Subject

General Medicine

Reference26 articles.

1. Classen, C. (1993). Worlds of sense: Exploring the senses in history and across cultures. Routledge.

2. Crawford, P. (2010). Sounds of silence: The aural in anthropology and ethnographic film. In G. Iversen, & J. K. Simonsen (Eds.), Beyond the visual: Sound and image in ethnographic and documentary film (pp. 49-22). Intervention Press.

3. Deleuze, G. (1986). Cinema. Bloomsbury Philosophy Library. https://doi.org/10.5040/9781350251977

4. Gadamer, H. (1975). Truth and method. Seabury Press.

5. Ginsburg, F. (1995). Parallax effect: The coloniality of power in ethnographic film. Visual Anthropology Review, 11(2), 63-78. https://doi.org/10.1525/var.1995.11.2.64

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