Emerging postdramatic aesthetics and Shakespeare in Hungarian theatre
Author:
Publisher
Masaryk University Press
Subject
History,Visual Arts and Performing Arts,Cultural Studies
Link
https://digilib.phil.muni.cz/bitstream/handle/11222.digilib/143676/1_Theatralia_24-2021-1_9.pdf
Reference31 articles.
1. [1] BALME, Christopher. 2004. Intermediality: Rethinking the Relationship Between Theatre and Media. TheWis 1: Zeitschrift der Gesellschaft für Theaterwissenschaft (2004): 1: 1-18.
2. [2] BOENISCH, Peter. 2003. coMEDIA electrONica. Theatre Research International 28 (2003): 1: 34-45. | DOI 10.1017/S0307883303000130
3. [3] BOUCHARD, Gianna. 2008. 'Be not faithless but believing': Illusion and Doubt in Anatomy Theatre. In Maaike Bleeker (ed.). Anatomy Live: Performance and Operating Theatre. Amsterdam: Amsterdam University Press, 2008: 93-110.
4. [4] CARDY, Tom. 2012. Audiences endure shock and bore. Stuff (7. 03. 2012). [accessed on 18.01.2021]. Available online at: http://www.stuff.co.nz/dominion-post/culture/6522466/Audiences-endure-shock-and-bore.
5. [5] CARLSON, Marvin. 2009. Theatre Is More Beautiful Than War: German Stage Directing in the Late Twentieth Century. Iowa City: University of Iowa Press, 2009.
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