Ariadne’s Adaptation of Alexander Oldys’s The Fair Extravagant in She Ventures and He Wins

Author:

Figueroa Dorrego Jorge1

Affiliation:

1. Universidad de Vigo

Abstract

In the preface to She Ventures and He Wins (1695), the young woman signing as “Ariadne” says that the plot of this play is taken from “a small novel,” the title of which she does not mention. Neither the editors Lyons and Morgan (1991) nor any of the few critics that have recently commented on this piece have identified the text upon which the play is drawn. The answer to this riddle is to be found in The Lives and Characters of the English Dramatick Poets (1699). The main plot of that comedy is Alexander Oldys’s The Fair Extravagant, or The Humorous Bride, a practically unknown text that has not been reprinted since 1682. The aim of this paper is to (re-)unearth that source, and to analyse how Ariadne adapted the male-authored original for her own purposes as a woman dramatist, combined it with a farcical sub-plot, and endeavoured to tailor it to the new tastes of the town.

Funder

Ministerio de Economía, Industria y Competitividad, Gobierno de España

Publisher

SEDERI

Subject

Literature and Literary Theory,Linguistics and Language,Language and Linguistics,Cultural Studies

Reference22 articles.

1. ‘Ariadne’ 1991. “She Ventures and He Wins.” Eds. Paddy Lyons and Fidelis Morgan. Female Playwrights of the Restoration. Five Comedies. London: Dent: 103-159.

2. Baker, David E., Isaac Reed and Stephen Jones 1812. Biographia Dramatica; or a Companion to the Playhouse. 3 vols. London: Longman et al.

3. Ballaster, Ros 1996. “The First Female Dramatists.” Ed. Helen Wilcox. Women and Literature in Britain 1500-1700. Cambridge: Cambridge University Press: 267-290.

4. Bullough, Vern L. and Bonnie Bullough 1993. Cross-Dressing, Sex, and Gender. Philadelphia: University of Pennsylvania Press.

5. Greer, Germaine 1988. “Introduction.” Eds. Germaine Greer, Jeslyn Medoff, Melinda Sansone and Susan Hastings. Kissing the Rod. An Anthology of Seventeenth-Century Women’s Verse. London: Virago: 1-31.

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