Gigging on the World Stage: Bossa Nova and Afrobeat after De-reification-Reference-Cited by-同舟云学术

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Gigging on the World Stage: Bossa Nova and Afrobeat after De-reification

Published:2016-08 Issue:2 Volume:38 Page:523-543
ISSN:0102-8529
Container-title:Contexto Internacional
language:
Short-container-title:Contexto int.

Author:

Inayatullah Naeem¹

Affiliation:

1. Ithaca College, USA

Publisher

FapUNIFESP (SciELO)

Subject

Microbiology

Link

http://www.scielo.br/pdf/cint/v38n2/0102-8529-cint-38-02-00523.pdf

Reference50 articles.

1. Bossa & bossas: recent changes in Brazilian urban popular music;Béhague Gerard;Ethnomusicology,1973

2. Brazilian musical values of the 1960s and 1970s: popular urban music from bossa nova to tropicalia;Béhague Gerard;Journal of Popular Culture,1980

3. The social construction of reality;Berger Peter L,1966

4. Reification and the sociological critique of consciousness;Berger Peter L;History and Theory,1965

5. Music, national identity and the politics of location;Biddle Ian,2013

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3. Tradi-Modern Musical Genres Amidst Neo-Colonial Western Digital Recording Towards Development in Benue State;Indigenous African Popular Music, Volume 2;2022

4. K. E. Goldschmitt, Bossa Mundo: Brazilian Music in Transnational Media Industries (New York: Oxford University Press, 2019), ISBN: 978-0-19-092352-5 (hb), 978-0-19-092353-2 (pb).;Twentieth-Century Music;2021-05-05

5. Music as an Emancipatory Pedagogical Tool in International Relations Classes in the Global South;International Studies Perspectives;2020-10-08

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