Abstract
Andrzej Sapkowski’s fantasy narrative and novel saga, as exemplified by the “The Edge of the World” short story, borrows largely from J. R. R. Tolkien’s depiction of elves in defining most of their traits and the relationship between them and humans. Sapkowski, however, clearly transforms the image of the (predominantly) benevolent elf defined by Tolkien. The aim of this article is to explore the way in which Sapkowski portrays the elven race as sovereign in their exclusion from the world of humanity. Sapkowski’s story allows the group to maintain its unique motivations, resisting morally dualistic stereotyping at the same time. Moreover, because neither humanity nor elfdom may claim moral superiority in their conflict, the colonial experience of the elves is not simply appropriated by the author as an example of Indigenous victimhood. Rather, it serves the purpose of presenting readers with a multifaceted tapestry of colonial conflict contained within a fantasy world. The players of this world, though opposed and prone to othering their enemies, are nevertheless rhetorically equal.