Abstract
This article discusses the concept of musical nuances from a process-oriented perspective, with a particular emphasis on the aesthetic experience of hooks in Western popular music. First, the text elaborates on the particularities of nuances from the perspective of cognitive psychology. Second, it highlights their importance for musical interpretation, characterization, memorization, and valuation. Third, it critically reflects on analytical approaches to rhythmic and melodic nuances and gets into alternative methods to analyze such microscopic subtleties in the context of musical hooks. Fourth, analytical examples examine nuance-related intricacies in song phrases as processes regarding the aesthetic experience of increasing and decreasing intensity, tension, and motion. Finally, the findings and theoretical considerations are discussed in the broader context of mainstream popular music analysis.
Publisher
Editorial de la Facultad de Filosofia y Letras - Universidad de Buenos Aires
Cited by
3 articles.
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