Piazza Armerina. The So-Called Personifications of Mauretania and India at Each End of the Great Hunt Portico

Author:

STEGER Brigitte1

Affiliation:

1. Centre Henri Stern de recherche sur la mosaïque antique

Abstract

What is the meaning of the images in the apses on the Great Hunt Corridor? Are the personifications in the center of the two mosaics alluding to geographical entities, as has been the case put forward so far? If so, this begs the question “which ones?”. The analysis of each pavement is followed up by a short round-up and discussion of current hypotheses. By taking support from a set of iconographical and textual parallels, we have sought to achieve a better understanding of these images. Lastly, we provide some insights to show how these mosaics fit into the decorative program of the Great Hunt corridor to which they pertain.

Publisher

Journal of Mosaic Research

Subject

Visual Arts and Performing Arts,Archeology

Reference51 articles.

1. Balty 1984 J.-C. Balty, « Arabia », LIMC, 468-470.

2. Balty 1994 J.-C. Balty, « Oriens », LIMC, VII, 78.

3. Blanchard-Lemée et al. 1996 M. Blanchard-Lemée - M. Ennaïfer - H. Slim - L. Slim, Mosaics of Roman Africa, Floor Mosaics from Tunisia, London.

4. Carandini 1964 A. Carandini, Ricerche sullo stile e la cronologia dei mosaici della villa di Piazza Armerina, Studi Miscellanei 7, Roma.

5. Carandini 1967 A. Carandini, « La circulazione della cultura figurativa africana nel tardo impero ed altre precisazioni », DialA I, 93-120.

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