Poly(Vinyl Acetate) Paints: A Literature Review of Material Properties, Ageing Characteristics, and Conservation Challenges

Author:

Novak Morana1,Ormsby Bronwyn1

Affiliation:

1. Tate Britain, Millbank, London SW1P 4RG, UK

Abstract

Since their development in the 1950s, poly(vinyl acetate) [PVAc] paints (also known as vinyl) have been used by many artists, most notably in countries such as Spain, Portugal, and the United Kingdom; they are also used globally as a common binder for house paints. However, only a relatively limited number of heritage scientific studies have focused on vinyl paints. Consequently, many critical aspects of this material, such as the degradation processes, variations in paint formulations, and responses to conservation treatments, remain largely understudied. This article aims to summarise the available relevant information on poly(vinyl acetate) paints from both the scientific and the conservation practice perspectives. The article provides a brief overview of the development of poly(vinyl acetate) paints as artist-grade and household products and the known differences in their formulations. It also focuses on poly(vinyl acetate) ageing behaviour, the physicochemical properties, the recent scientific research on poly(vinyl acetate) material characterisation and degradation, and the main conservation issues regarding these paints, such as those relating to cleaning treatments.

Publisher

MDPI AG

Subject

Polymers and Plastics,General Chemistry

Reference175 articles.

1. Crook, J., and Learner, T. (2000). The Impact of Modern Paints, Tate Gallery Publishing. [1st ed.].

2. Learner, T. (2007). Modern Paints Uncovered: Proceedings from the Modern Paints Uncovered Symposium, Getty Conservation Institute. [1st ed.].

3. A review of synthetic binding media in twentieth-century paints;Learner;Conservator,2000

4. van den Berg, K.J., Burnstock, A., de Keijzer, M., Krueger, J., Learner, T., de Tagle, A., and Heydenreich, G. (2014). Issues in Contemporary Oil Paint, Springer International Publishing.

5. Learner, T. (2004). Analysis of Modern Paints, Getty Conservation Institute. [1st ed.].

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