City Ditty: An Immersive Soundscape Sketchpad for Professionals of the Built Environment

Author:

Yanaky Richard12,Tyler Darcy1,Guastavino Catherine12ORCID

Affiliation:

1. Multimodal Interaction Laboratory, School of Information Studies, McGill University, 3661 Peel St., Montreal, QC H3A 1X1, Canada

2. Centre for Interdisciplinary Research in Music Media and Technology, 527 Sherbrooke St. West, Montreal, QC H3A 1E3, Canada

Abstract

Soundscape planning remains a challenge to many urban practitioners due in part to a scarcity of soundscape design tools. While many sound planning tools exist, they are generally geared towards acousticians rather than professionals of the built environment (e.g., urban designers, planners, or landscape architects). This paper walks through the user-centered design process for the development and evaluation of a new soundscape design tool, City Ditty. A User-Centered Design approach was utilized to identify and develop functionalities that would benefit urban practitioners that do not currently specialize in sound. This began with a literature review of existing soundscape tools, followed by a user needs assessment with professionals of the built environment, consisting of a workshop including focus groups, tech demos, and a collaborative soundscape design exercise. These results funneled into the development of City Ditty: an immersive soundscape sketchpad that facilitates rapid audio-visual prototyping of urban soundscapes. To make City Ditty accessible to users with no expertise in sound, we developed a sound awareness session that walks the user through 36 tasks. These hands-on tasks illustrate soundscape design principles while serving as instructions on how to use the many functions of City Ditty, e.g., listen to the city soundscape at different times of the day, pedestrianize the city centre, modify permissible construction times, and add birdfeeders to attract sounds of nature. A usability study was conducted with six participants to evaluate the tool using Desktop Virtual Reality, determine new functionalities, and determine how to best facilitate user engagement in order to encourage adoption by practitioners. The direction of future soundscape tools is discussed.

Funder

Fonds de Recherche du Québec - Société et culture

Fonds de Recherche du Québec - Nature et Technologies

Centre for Interdisciplinary Research in Music Media and Technology

Natural Sciences and Engineering Research Council

Social Sciences and Humanities Research Council

Publisher

MDPI AG

Subject

Fluid Flow and Transfer Processes,Computer Science Applications,Process Chemistry and Technology,General Engineering,Instrumentation,General Materials Science

Reference52 articles.

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3. Considering Sound in Planning and Designing Public Spaces: A Review of Theory and Applications and a Proposed Framework for Integrating Research and Practice;Bild;J. Plan. Lit.,2016

4. Steele, D. (2018). Bridging the gap from soundscape research to urban planning and design practice: How do professionals conceptualize, work with, and seek information about sound?. [Doctoral Dissertation, School of Information Studies, McGill University].

5. Bild, E., Steele, D., Yanaky, R., Tarlao, C., Di Croce, N., and Guastavino, C. (2021, January 19–21). Sound fundamentals for professionals of the built environment: A course for citymakers. Proceedings of the Urban Sound Symposium 2021, Ghent–Montreal–Nantes–Zurich–Berlin–London (Online).

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