Medusa’s Gaze and Geijerstam’s Gay Science in the Swedish fin de siècle

Abstract

Gustaf af Geijerstam’s Medusas hufvud (Medusa’s Head, 1895) is one of the “account-settling novels” of the late nineteenth century. These novels reflect on the aesthetic reorientation after the breakdown of the “Eighties movement” in Sweden. One important dimension of this transformation was the growing emphasis on gendered visions of authorship. I argue that Geijerstam’s novel is an attempt to create a male author role and a male intellectual sphere. The establishment of a male literary sphere requires homosocial desire, an artistic passion that Geijerstam understands as similar and different from sexual desire. This terminology is employed, after Eve Kosofsky Sedgwick, to insist on a productive continuum between the repositioning on the literary field that the novel represents and the thinly disguised homosexual tensions between its three male characters. However, the homosexual tensions are also related to secrecy, disgust, and terror (most clearly visible in the important Medusa motif). I finally argue that Geijerstam employs the erotic triangle, where the woman functions as a “mediator” for a relationship between the men, as a plot device that lets him simultaneously explore and dissimulate this homosocial desire.