Music, Art Installations and Haptic Technology

Author:

Kontogeorgakopoulos Alexandros1

Affiliation:

1. Department of Digital Arts and Cinema, National and Kapodestrian University of Athens, Evripos University Complex of NKUA, 344 00 Psachna, Evia, Greece

Abstract

This paper presents some directions on the design, development and creative use of haptic systems for musical composition, performance and digital art creation. This research has been conducted both from an artistic and a technical point of view and its ambition, over the last decade, apart from the artistic outcome, was to introduce the field of haptics to artistic communities based on an open, do it yourself—DIY ethos. The five directions presented here are not in any sense exhaustive and are based principally on a series of collaborative works and more personal open-ended explorations with the medium of haptics and, more specifically, force-feedback interaction. They will be highlighted along with information about the interaction models and their application to artistic works created by the author and other colleagues. Those directions are (i) Haptic Algorithms and Systems; (ii) Performers Intercoupling; (iii) Haptic Interfaces as Part of the Artistic Practice; (iv) Electromechanical Sound Generation; and (v) Media Art and Art Installations. The interdisciplinary field of musical haptics still has a relatively minor position in the sound and music computing research agendas and, more importantly, its artistic dimension is very rarely discussed. The findings of this research aim to indicate and clarify potential research pathways and offer some results on the use of haptics and force-feedback systems in an artistic context.

Publisher

MDPI AG

Subject

General Materials Science

Reference38 articles.

1. Berdahl, Edgar, Kontogeorgakopoulos, Alexandros, and Overholt, Dan (, January September). HSP v2: Haptic Signal Processing with Extensions for Physical Modeling. Paper presented at the Haptic Audio Interaction Design Conference, Copenhagen, Denmark.

2. Berdahl, Edgar, and Kontogeorgakopoulos, Alexandros (, January September). Engraving–Hammering–Casting: Exploring the Sonic-Ergotic Medium for Live Musical Performance. Paper presented at the International Computer Music Conference, Ljubljana, Slovenia.

3. The firefader: Simple, open-source, and reconfigurable haptic force feedback for musicians;Berdahl;Computer Music Journal,2013

4. Berdahl, Edgar, and Smith, Julius O. (, January April). An Introduction to the Synth-A-Modeler Compiler: Modular and Open-Source Sound Synthesis using Physical Models. Paper presented at the Linux Audio Conference, Stanford, CA, USA.

5. Berdahl, Edgar, Pfalz, Andrew, Blandino, Michael, and Beck, Stephen David (2018). Musical Haptics, Springer.

同舟云学术

1.学者识别学者识别

2.学术分析学术分析

3.人才评估人才评估

"同舟云学术"是以全球学者为主线,采集、加工和组织学术论文而形成的新型学术文献查询和分析系统,可以对全球学者进行文献检索和人才价值评估。用户可以通过关注某些学科领域的顶尖人物而持续追踪该领域的学科进展和研究前沿。经过近期的数据扩容,当前同舟云学术共收录了国内外主流学术期刊6万余种,收集的期刊论文及会议论文总量共计约1.5亿篇,并以每天添加12000余篇中外论文的速度递增。我们也可以为用户提供个性化、定制化的学者数据。欢迎来电咨询!咨询电话:010-8811{复制后删除}0370

www.globalauthorid.com

TOP

Copyright © 2019-2024 北京同舟云网络信息技术有限公司
京公网安备11010802033243号  京ICP备18003416号-3