Pop/Poetry: Dickinson as Remix

Author:

Leyda Julia1ORCID,Sulimma Maria2ORCID

Affiliation:

1. Department of Art and Media Studies, Faculty of Humanities, Norwegian University of Science and Technology, 7491 Trondheim, Norway

2. English Department, Faculty of Philology, University of Freiburg, 79085 Freiburg im Breisgau, Germany

Abstract

In its meticulous, freewheeling adaptation of the life and work of celebrated poet Emily Dickinson, the television series Dickinson (Apple TV+, 2019–2021) manifests a twenty-first-century disruption of high and low culture afforded by digital media, including streaming video and music platforms. This article argues that the fanciful series models a mixed-media, multimodal aesthetic form that invites a diverse range of viewers to find pleasure in Dickinson’s poetry itself and in the foibles of its author, regardless of their familiarity with the literary or cultural histories of the US American 19th century. Dickinson showcases creator Alena Smith’s well-researched knowledge of the poet and her work, while simultaneously mocking popular (mis)conceptions about her life and that of other literary figures such as Walt Whitman and Sylvia Plath, all set to a contemporary soundtrack. This analysis of Dickinson proposes to bring into conversation shifting boundaries of high and low culture across generations and engage with critical debates about the utility of the popular (and of studies of the popular) in literary and cultural studies in particular.

Publisher

MDPI AG

Subject

General Materials Science

Reference20 articles.

1. Digital Landscapes: Rethinking Poetry Interpretation in Multimodal Texts;Alghadeer;Journal of Arts and Humanities,2014

2. Uncertain Sexualities and the Unusual Woman: Depictions of Jane Addams and Emily Dickinson;Bartram;Social Problems,2019

3. Bradley, Laura (2022, January 27). How Dickinson Became Apple’s Most Important Show. Vanity Fair. Available online: https://www.vanityfair.com/hollywood/2019/11/apple-dickinson-hailee-steinfeld-alena-smith.

4. Tell It Slant: The Rise of the Feminist Anachronistic Costume Drama;Cote;Virginia Quarterly Review,2021

5. De Kosnik, Abigail (2016). Rogue Archives: Digital Cultural Memory and Media Fandom, MIT Press.

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