Classification of Interpretation Differences in String Quartets Based on the Origin of Performers

Author:

Istvanek Matej1ORCID,Miklanek Stepan1ORCID,Spurny Lubomir2

Affiliation:

1. Department of Telecommunications, Faculty of Electrical Engineering and Communication, Brno University of Technology, Technicka 12, 61600 Brno, Czech Republic

2. Department of Musicology, Faculty of Arts, Masaryk University, Janackovo Namesti 2a, 60200 Brno, Czech Republic

Abstract

Music Information Retrieval aims at extracting relevant features from music material, while Music Performance Analysis uses these features to perform semi-automated music analysis. Examples of interdisciplinary cooperation are, for example, various classification tasks—from recognizing specific performances, musical structures, and composers to identifying music genres. However, some classification problems have not been addressed yet. In this paper, we focus on classifying string quartet music interpretations based on the origin of performers. Our dataset consists of string quartets from composers A. Dvořák, L. Janáček, and B. Smetana. After transferring timing information from reference recordings to all target recordings, we apply feature selection methods to rank the significance of features. As the main contribution, we show that there are indeed origin-based tempo differences, distinguishable by measure durations, by which performances may be identified. Furthermore, we train a machine learning classifier to predict the performers’ origin. We evaluate three different experimental scenarios and achieve higher classification accuracy compared to the baseline using synchronized measure positions.

Funder

OP RDE

Publisher

MDPI AG

Subject

Fluid Flow and Transfer Processes,Computer Science Applications,Process Chemistry and Technology,General Engineering,Instrumentation,General Materials Science

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