Study of ‘Cona degli Ordini’ by Colantonio with IR and XRF Analyses

Author:

Scialla Elvira1ORCID,Improda Paola2,Brocchieri Jessica1ORCID,Cardinali Marco2,Cerasuolo Angela34,Rullo Alessandra3,Zezza Andrea2,Sabbarese Carlo1ORCID

Affiliation:

1. Department of Mathematics and Physics, Università degli Studi della Campania ‘Luigi Vanvitelli’, 81100 Caserta, Italy

2. Department of Letters and Cultural Heritage, Università degli Studi della Campania ‘Luigi Vanvitelli’, 81055 Santa Maria Capua Vetere, Italy

3. Museo e Real Bosco di Capodimonte, 80131 Naples, Italy

4. Istituto di Scienze del Patrimonio Culturale Consiglio Nazionale delle Ricerche (ISPC-CNR), 80134 Napoli, Italy

Abstract

Two paintings by the Neapolitan Renaissance painter Colantonio were studied with two non-invasive techniques to enrich the technical–scientific documentation. Infrared reflectography (IR) and x-ray fluorescence (XRF) analyses were performed on Saint Jerome in the studio and Saint Francis delivering the Rule, paintings preserved in the Museo e Real Bosco di Capodimonte. The IR scanning was performed to look beyond the visible layers of the paint for the preparatory drawings and pentimenti, or changes made during the painting process. The XRF technique was applied in many points to determine the elemental composition and enable the identification of pigments and materials used in paint and in the preparatory layers. Elemental XRF mapping was also carried out on a region of particular interest. Results provide an initial overview and hypothesis of color palette and techniques used by the artist.

Publisher

MDPI AG

Subject

Materials Science (miscellaneous),Archeology,Conservation

Reference52 articles.

1. Nicolini, F., Summonte, P., and Michiel, M. (1923). Napoli Nobilissima, Arte tipografica.

2. De Rinaldis, A. (1928). Pinacoteca del Museo Nazionale di Napoli Catalogo di Aldo De Rinaldis, Richter. Nuova Edition.

3. Il Maestro di San Giovanni da Capestrano;Bologna;Proporzioni,1950

4. Bologna, F. (1977). Napoli e le Rotte Mediterranee Della Pittura, da Alfonso il Magnanimo a Ferdinando il Cattolico, Società Napoletana di Storia Patria.

5. De Castris, P. (1999). Le Collezioni Borboniche e Post-unitarie, Electa.

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