Integrated Investigations of Painting Materials in the Sasanian City of Ardaxšīr Khwarrah, near Firuzabad (Southern Iran)

Author:

Amadori Maria Letizia1ORCID,Mengacci Valeria1ORCID,Callieri Pierfrancesco2,Askari Chaverdi Alireza3ORCID,Bartolucci Matteo2,Eftekhari Negar4,Andreotti Alessia5ORCID,Holakooei Parviz6

Affiliation:

1. Department of Pure and Applied Sciences, University of Urbino, Piazza Rinascimento 6, 61029 Urbino, Italy

2. Department of Cultural Heritage, University of Bologna, Via degli Ariani 1, 48121 Ravenna, Italy

3. Department of History and Archaeology, College of Literature and Humanities, Shiraz University (CISSC), Eram Square, Shiraz 7194685189, Iran

4. Department of Environmental and Prevention Sciences, University of Ferrara, 44122 Ferrara, Italy

5. Department of Chemistry and Industrial Chemistry, University of Pisa, Via Moruzzi 13/15, 56124 Pisa, Italy

6. Department of Conservation and Restoration of Historic Properties, Art University of Isfahan, Hakim-Nezami St., Isfahan 8173887681, Iran

Abstract

Ancient Ardaxšīr Khwarrah, today known as Shahr-e Gur, situated near the modern town of Firuzabad in Fars, Iran, holds historical significance as the inaugural capital city of the Sasanian Empire. During archaeological excavations conducted in 2005 by an Iranian–German team directed by Mas‘oud Azarnoush and Dietrich Huff, a mud-brick complex was uncovered, revealing a remarkably well-preserved stretch of wall painting and a polychrome painted floor. The discovery prompted the hypothesis of a potential funerary context dating back to the Sasanian period. Both the wall painting and painted floor have suffered extensive deterioration attributed to the environmental conditions of the archaeological site, which was inscribed on the UNESCO World Heritage List in 2020. To address the urgent need for preservation and further understanding of the site’s artistic and structural elements, an emergency diagnostic project was initiated. Non-invasive investigations were carried out on the wall and floor by optical digital microscopy and portable energy-dispersive X-ray fluorescence. Additionally, representative minute samples underwent analysis through various techniques, including micro-X-ray fluorescence, polarised light microscopy, scanning electron microscopy with energy-dispersive X-ray spectroscopy, micro-Raman spectroscopy, micro-Fourier Transform Infrared Spectroscopy, gas chromatography-mass spectrometry and pyrolysis coupled with gas chromatography-mass spectrometry. The palette of the floor and mural paintings were identified to contain red and yellow ochres, lead-based pigments, carbon black and bone white. The unexpected presence of Egyptian blue mixed with green earth was recognised in the green hues of the wall painting. The detection of protein material in both the wall painting and polychrome floor indicates the use of “a secco” technique, thereby shedding light on the artistic practices employed in Ardaxšīr Khwarrah.

Publisher

MDPI AG

Reference59 articles.

1. Karachi, R. (2017). Firuzabad History and Culture, Institute for Humanities and Cultural Studies. (In Persian).

2. Ardašīr- Ḵorra;Bosworth;Iran. Antiq.,1986

3. Ariomand, S.A. (1999). The History of al-Tabari (Ta’rikh al-Rusul wa’l-Mulnk), State University of New York Press.

4. An Archaeological Tour in the Ancient Persis;Stein;Geogr. J.,1935

5. Fīrūzābād;Huff;Iran. Antiq.,1999

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