Practices and Rules of 16th Century Genoese Gilding: Exploring Gold Leaf Thickness and Caratage through X-ray and Ion Beam Techniques

Author:

Ciarlo Letizia1,Chiari Massimo2ORCID,Galassi Maria Clelia1,Ferretti Maurizio3ORCID,Sideras-Haddad Elias45,Zucchiatti Alessandro56,Castagnotto Elena3ORCID

Affiliation:

1. Dipartimento di Italianistica, Romanistica, Antichistica, Arti e Spettacolo (DIRAAS), Via Balbi 6, 16126 Genova, Italy

2. Istituto Nazionale di Fisica Nucleare (INFN), Sezione di Firenze, Via G. Sansone 1, 50019 Firenze, Italy

3. Dipartimento di Chimica e Chimica Industriale (DCCI), Via Dodecaneso 31, 16146 Genova, Italy

4. Department of Industrial Design & Production Engineering, University of West Attica, Egaleo, 12241 Athens, Greece

5. School of Physics, University of the Witwatersrand, Braamfontein, Johannesburg 2017, South Africa

6. Dipartimento di Scienze della Terra, dell’Ambiente e della Vita (DISTAV), C.so Europa 26, 16132 Genova, Italy

Abstract

This study investigates the practices and rules of Genoese gilding, drawing insights from a 16th-century manuscript containing regulations for gold leaf production. Employing X-ray and ion beam techniques, we quantitatively assess the manuscript’s gold leaf thickness without destructive sampling. Artisanal goldbeater-produced leaves of different thicknesses, applied with a guazzo or mordant technique, served as standards. Further analysis of samples with unknown thickness from the furniture of Palazzo Spinola di Pellicceria in Genoa (Italy) has confirmed the method’s applicability to practical cases. External beam Rutherford backscattering spectrometry (RBS) and particle-induced X-ray emission (PIXE) analyses were carried out using 3 MeV protons at the LABEC accelerator laboratory in Florence. A linear relationship between Gold Lα peak yield and leaf thickness, as measured by RBS, has been established for optimal calibration of portable or hand-held X-Ray fluorescence (XRF) instrumentation for in situ measurements. Moreover, the caratage of the gold foil preserved in the manuscript has been assessed.

Funder

Transnational Access scheme of EU Horizon 2020 project RADIATE

Publisher

MDPI AG

Reference44 articles.

1. Pesenti, F.R. (1986). La disputa a Genova del 1590 sull’Arte della Pittura e Giovanni Battista Paggi. La Pittura in Liguria: Artisti del primo Seicento, Stringa Editore.

2. Lukehart, P.M. (1987). Contending Ideals: The Nobility of G. B. Paggi and the Nobility of Painting, The John Hopkins University.

3. Ciarlo, L. (2020). Vicende Corporative e Professione dell’Indoratore a Genova nel Seicento, Qualche Dato a Confronto, Collana di Studi e Ricerche dell’Accademia Ligure di Scienze e Lettere.

4. Orengo, M.T. (2005). L’arte dei Brea tra Francia e Italia. Proceedings of the Conservazione e Valorizzazione, All’insegna del Giglio.

5. Di Fabio, C. (2005). Il Polittico della Cervara di Gerard David, Silvana Editoriale.

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