Raman Spectroscopic Analysis of a Mid-19th Century Reredos by Sir George Gilbert Scott

Author:

Brooke Christopher1ORCID,Edwards Howell2ORCID,Vandenabeele Peter3,Lycke Sylvia3ORCID,Pepper Michelle4

Affiliation:

1. Department of History, University of Nottingham, University Park, Nottingham NG7 2RD, UK

2. School of Chemistry & Biosciences, Faculty of Life Sciences, University of Bradford, Bradford BD7 1DP, UK

3. Department of Archaeology, University of Ghent, Sint Pietersnieuwstraat 35, B-9000 Ghent, Belgium

4. Independent Researcher, Newark, Nottinghamshire NG24 1DZ, UK

Abstract

A painted stone reredos in the Priory Church of St Cuthbert, Worksop, Nottinghamshire, UK, was analysed before recent conservation to determine the pigment scheme employed. The screen was created by the eminent British architect Sir George Gilbert Scott in the middle decade of the 19th Century. The results help inform the wider range of palettes employed by British architects and craftspeople working in the 19th and early 20th centuries which have previously been little studied. The pigments generally were high-quality vermilion (red), chrome yellow (yellow), and ultramarine (blue), and several alternatives were also evident such as red lead and haematite for red, bone black, and carbon black for black. Lightening and darkening agents were incorporated as lead white, barytes, and carbon, and pigment mixtures were used to achieve the colours dark blue-red, and green.

Publisher

MDPI AG

Subject

Materials Science (miscellaneous),Archeology,Conservation

Reference33 articles.

1. Pugin, A.W. (1841). Contrasts: Or, a Parallel between the Noble Edifices of the Middle Ages, and Corresponding Buildings of the Present Day Shewing the Present Decay of Taste, Charles Dolman.

2. Alfoldy, S. (2008). Craft, Space and Interior Design, 1855–2005, Ashgate.

3. Whyte, W. (2017). Unlocking the Church, Oxford University Press.

4. Cather, S., Park, D., and Williamson, P. (1990). Early Medieval Wall Painting and Painted Sculpture in England: Based on the Proceedings of a Symposium at the Courtauld Institute of Art, February 1985, University of Michigan Press.

5. Howard, H. (2003). Pigments of the English Medieval Wall Painting, Archetype Publications.

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