3D Multispectral Imaging for Cultural Heritage Preservation: The Case Study of a Wooden Sculpture of the Museo Egizio di Torino

Author:

Es Sebar Leila1ORCID,Lombardo Luca2,Buscaglia Paola13,Cavaleri Tiziana34ORCID,Lo Giudice Alessandro56,Re Alessandro56ORCID,Borla Matilde7,Aicardi Sara8,Grassini Sabrina1

Affiliation:

1. Department of Applied Science and Technology, Politecnico di Torino, 10129 Turin, Italy

2. Department of Electronics and Telecommunications, Politecnico di Torino, 10129 Turin, Italy

3. Centro Conservazione e Restauro “La Venaria Reale”, 10078 Venaria Reale, Italy

4. Dipartimento di Economia, Ingegneria, Società e Impresa, Università degli Studi della Tuscia, 01100 Viterbo, Italy

5. Dipartimento di Fisica, Università degli Studi di Torino, 10125 Turin, Italy

6. Istituto Nazionale di Fisica Nucleare (INFN), Sezione di Torino, 10125 Turin, Italy

7. Soprintendenza Archeologia, Belle Arti e Paesaggio per la città Metropolitana di Torino, 10122 Turin, Italy

8. Museo Egizio di Torino, 10123 Turin, Italy

Abstract

Digitalization techniques, such as photogrammetry (PG), are attracting the interest of experts in the cultural heritage field, as they enable the creation of three-dimensional virtual replicas of historical artifacts with 2D digital images. Indeed, PG allows for acquiring data regarding the overall appearance of an artifact, its geometry, and its texture. Furthermore, among several image-based techniques exploited for the conservation of works of art, multispectral imaging (MSI) finds great application in the study of the materials of historical items, taking advantage of the different responses of materials when exposed to specific wavelengths. Despite their great usefulness, PG and MSI are often used as separate tools. Integrating radiometric and geometrical data can notably expand the information carried by a 3D model. Therefore, this paper presents a novel research methodology that enables the acquisition of multispectral 3D models, combining the outcomes of PG and MSI (Visible (VIS), Ultraviolet-induced Visible Luminescence (UVL), Ultraviolet-Reflected (UVR), and Ultraviolet-Reflected False Color (UVR-FC) imaging) in a single coordinate system, using an affordable tunable set-up and open-source software. The approach has been employed for the study of two wooden artifacts from the Museo Egizio di Torino to investigate the materials present on the surface and provide information that could support the design of suitable conservation treatments.

Publisher

MDPI AG

Subject

Materials Science (miscellaneous),Archeology,Conservation

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