1. La conservation et la restauration des instruments scientifiques des XVIIIème et XIXème siècle: Un terrain de recherches et de valorisation en histoire des sciences;Bull. Sabix,1997
2. Buchwald, J.Z., and Fox, R. (2013). From workshop to factory: The evolution of the instrument-making industry, 1850–1930. The Oxford Handbook of the History of Physics, Oxford University Press.
3. Schröter, J. (2021). Les Vernis or sur les Bronzes d’Ameublement: Acteurs, Pratiques et Marchés à Paris au XIXe Siècle. [Ph.D. Thesis, Departement of History of Art, Sorbonne University].
4. Chemello, C., Brambilla, L., and Joseph, E. (2019). Transparent varnishes on copper alloys dating from the 19th century: Characterization and identification strategies. Metal 2019, Proceedings of the Interim Meeting of the ICOM-CC Metals Working Group, Neuchâtel, Switzerland, 2–6 September 2019, ICOM-CC, Pulido & Nunes.
5. Drayman-Weisser, T. (2000). The treatment of false gilding: A case study. Gilded Metals: History Technology and Conservation, Archetype.