Affiliation:
1. Independent Researcher, Orange, CA 92869, USA
Abstract
This article positions queer nightlife as a central vehicle in the lives and practices of queer Latinx artists working in Los Angeles over the past decade. It highlights how queer nightlife has provided a generative space for art making and community building in LA and considers how the usage of queer nightlife as a frame of study ruptures existing art historical and curatorial methodologies relative to Latinx art. I closely analyze works by artists rafa esparza, Sebastian Hernandez, and Gabriela Ruiz drawn from the gay bars and streets of downtown and East Los Angeles to underscore the radical and sophisticated ways by which these artists create art, community, and opportunity. By critically examining three case studies—Escandalos Angeles (2018), a performance by Hernandez and Ruiz at Club Chico in Montebello, California; Nostra Fiesta (2019), a storefront mural by esparza, Ruiz, and friends at the New Jalisco Bar in downtown; and YOU (2019–ongoing), a queer party directed by Hernandez and launched at La Cita Bar in downtown—I reveal how queer nightlife has served as an incubator for these artists to come together, express themselves, and generate a sense of joy and freedom from the struggles of everyday life.
Reference69 articles.
1. Adeyemi, Kemi (2022). Feels Right: Black Queer Women and the Politics of Partying in Chicago, Duke University Press.
2. Adeyemi, Kemi, Khubchandani, Kareem, and Rivera-Servera, Ramón H. (2021). Queer Nightlife, University of Michigan Press.
3. Allen, Jafari S. (2022). There’s a Disco Ball between Us: A Theory of Black Gay Life, Duke University Press.
4. Laó-Montes, Agustín, and Dávila, Arlene (2001). Mambo Montage: The Latinization of New York, Columbia University Press.
5. El baile de los 41: La representación de lo afeminado en la prensa porfiriana;Historia Y Grafía,2010